News & Blog

The Scariest Part Turns Four

Today marks the fourth anniversary of my blog feature, The Scariest Part! Over the past four years, I’ve had some really great authors write guest blogs, including, just this past year, Alethea Kontis, Chandler Klang Smith, William Meikle, Jason Ridler, Douglas Wynne, Vivian Shaw, and many more!

If you’ve got a book coming out in the horror, dark fantasy, dark science fiction, and suspense genres and would like an opportunity to promote it on The Scariest Part, please click here to check out our guidelines.

I’m looking forward to hearing from you, and to another great year of authors talking about the scariest parts of their work!

The Scariest Part: Alethea Kontis Talks About BESPHINXED

My guest this week on The Scariest Part is author Alethea Kontis, whose new novel is Besphinxed. Here is the publisher’s description:

Heather Hayden has everything a young witch could desire: beauty, money, popularity, and exceptionally strong magical powers. Too bad she’s also got a dysfunctional family that couldn’t care less about her and a Head Witch who’s watching her every move. Heather has no idea what she wants. But she’s pretty sure it’s not some low-rent cat shifter boy from goddess-knows-where, despite the fact that their paths keep crossing again and again…and again.

Owen Liddell is in big trouble. A hundred years ago, a descendant of Arachne tricked him into staring into the eyes of the Great Sphinx, leaving him bespelled into the form a cat. Now Arachne’s sisters have found him again and placed one of their own as a substitute teacher at Harmswood. And if that weren’t bad enough, destiny got involved, tangling his heart up with the most popular witch in school: his best friend Kai’s sworn enemy.

Can Owen escape the evil spider sisters, thwart the spell, rescue the girl, save his friendship and pass his finals all before Zombie Prom? It seems unlikely. But unlikely things are known to happen in Nocturne Falls…

And now, let’s hear what the scariest part was for Alethea Kontis:

Besphinxed is the third book in my Harmswood Academy trilogy, written in the Nocturne Falls Universe. Kristen Painter’s original Nocturne Falls books are paranormal romantic comedies set in a town that celebrates Halloween all year round (to mask the fact that things like witches and werewolves really exist). My books were the first in the Universe geared toward young adults. So I had my work cut out for me from the get-go: Find a way to mix YA, romance, comedy, fantasy, adventure, and horror into tightly-paced short novels based in someone else’s world.

But I am a princess known for juggling the genres in a myriad of formats — these elements just happen to be the gingerbread from which my magical wheelhouse is built! (How’s that for mixing metaphors?) I took to this universe like a fairy to a wishing well. But things still popped up to surprise me during the process of writing this trilogy, and Besphinxed was no exception.

Because there were times when Heather Hayden’s character scared the hell out of me.

Heather spends the first two books as the quintessential Mean Girl of Harmswood Academy. She’s the richest, most powerful, and most popular girl in school. (She’s totally Head Cheerleader, OF COURSE.) She’s a bully to the local girls, who refer to Heather and her two besties as the “Godawful Gothwitches,” because they never wear anything but black. Heather has done some terrible things — mostly because she doesn’t care about anyone but herself — and she’s careless with her magic.

But in Besphinxed, Heather takes the spotlight and becomes the heroine of the piece. This meant I had to figure out the machinations behind WHY she did all the shocking things she did. As someone who was often ostracized and bullied by these sorts of girls in school, it wasn’t exactly a headspace I was looking to get into.

But if George R. R. Martin could create sympathy for Jamie Lannister, then by gods I could do the same for Heather Hayden.

First step: Create a terrifically dysfunctional home life.

Well, who had more troubles than Jan Brady?

So I made Heather a middle sister (because witches should always come in threes). Her older sister Taylor (*cough* Swift) would be the picture of perfection and her younger sister Katy (*cough* Perry) would be the rebellious attention-seeker. Add an absent father and a self-absorbed mother and voila! Heather is now a flawed-but-decent-enough girl raised by people who care more about their own drama than they care about her — a situation that results in Heather believing some pretty horrible things about herself.

Second step: Show how that dysfunction bleeds into Heather’s school life.

This is where the bullying reared its ugly head, as well as the acceptance of toxic masculinity for the sake of reputation…and other similarly bad choices. My goal was ultimately for Heather to recognize the difference between healthy relationships and bad ones, and to begin learning how to tell the difference.

My goal was NOT to look in the mirror and suddenly see Heather looking back.

Authors write what we know. It’s difficult to write a hero or heroine that doesn’t resemble ourselves in some small way. But I did not expect to see so much of myself in Heather. I ended up in some bad relationships before I learned to recognize what was good for me. (I totally made some bad choices based on those, too.) I am the middle of three sisters in my family, right between the perfect eldest and the rebel youngest. I grew up with an absent father and a challenging mother.

I found myself crying when I wrote the chapter where Heather visits her family in Vermont — her happy place. MY happy place. It was like a razor blade that cut right to the bone, so sharp and quick that I didn’t notice until it had already happened.

I came from a background just like Heather’s. I invented the petri dish that had grown Heather, but after doing so, I realized that same sort of petri dish had grown me as well.

Maybe those Mean Girls of my childhood weren’t the monsters I had imagined, so far removed from my own precious world. If fate had dotted her Is and crossed her Ts a little differently, I might have been that Mean Girl.

And maybe, in the story of someone else’s life, I was.

Dear gods.

What a horrifying thought.

Besphinxed: Amazon / Barnes & Noble / Kobo / iTunes

Alethea Kontis: Website / Facebook / Twitter / Patreon / YouTube

New York Times bestselling author Alethea Kontis is a princess, a voice actress, a force of nature, and a mess. She is responsible for creating the epic fairytale fantasy realm of Arilland, and dabbling in a myriad of other worlds beyond. Her award-winning writing has been published for multiple age groups across all genres. Host of “Princess Alethea’s Fairy Tale Rants” and Princess Alethea’s Traveling Sideshow every year at Dragon Con, Alethea also narrates for ACX, IGMS, Escape Pod, Pseudopod, and Cast of Wonders. Born in Vermont, Alethea currently resides on the Space Coast of Florida with her teddy bear, Charlie.
The Scariest Part: Clarissa Goenawan Talks About RAINBIRDS

My guest this week on The Scariest Part is author Clarissa Goenawan, whose debut novel is Rainbirds. Here is the publisher’s description:

Intertwining elements of suspense and magical realism, award-winning literary debut Rainbirds opens with a murder and shines a spotlight on life in fictional small-town Japan.

Ren Ishida is nearly done with graduate school when he receives news of his sister, Keiko’s, sudden death. She was viciously stabbed one rainy night on her way home, and there are no leads. Ren heads to Akakawa to conclude his sister’s affairs, failing to understand why she chose to abandon their family and leave Tokyo for this small town in the first place.

But Ren soon finds himself picking up right where Keiko left off, accepting both her teaching position at a cram school and the bizarre arrangement of free lodging at the wealthy Mr. Katou’s mansion, in exchange for reading aloud each morning to Katou’s depressed, mute wife. As Ren gets to know the figures in the town, from the mysterious Katou to fellow teachers and a rebellious, alluring student named Rio, he replays memories of his childhood with Keiko and finds his dreams haunted by a young girl with pigtails who is desperately trying to tell him something. Struggling to fill the void that Keiko has left behind, Ren realizes that perhaps people don’t change, and if they don’t, he can decipher the identity of his sister’s killer.

And now, let’s hear what the scariest part was for Clarissa Goenawan:

I started writing Rainbirds when I was twenty-five — just a year older than my narrator, Ren Ishida. We had a couple of things in common. One of them is this: both of us were facing a lot of uncertainties.

In Rainbirds, Ren was about to finish his graduate studies. He’d gone to a prestigious university but had no idea what he kind of career he wanted to pursue after graduation. In addition, his long-time girlfriend was pressuring him to settle down. (For a certain type of person, this can be very scary indeed.) But one rainy night, his older sister got murdered. Thirty-five-year-old Keiko Ishida — who, in Ren’s words, “had a sweet disposition, quite a slim frame, and the air of someone with a good upbringing,” and, “was the type of woman the average salaryman wanted as his wife” — was brutally knifed to death. The mystery surrounding her death propelled him into tracing her old life, and that became his main focus.

As for me, at that time, I’d just left a lucrative job in banking sales to take a sabbatical. Supposedly it was a year-long break, but also, it was my desperate last attempt to achieve my childhood dream. I’d always want to be a writer.

But the writing path is a long and winding road (not being dramatic, because this is so true!). You need to put in the hours. Long hours. It’s all hard work, and I faced a lot of pressures, from well-meaning friends who asked, “When are you going back to work?” to relatives who chided me for spending too much time on my ‘hobby’. All of those, coupled with rejection after rejection, were so demoralizing. Apart from hard work, publishing also requires an element of luck.

Being in our mid-twenties is a very delicate phase. It’s a crucial phase that will probably shape the rest of our lives. What kind of career would we pursue, who we settle down with… stuff like that. We’re expected to be old enough to make these important decisions. But at the same time, we probably don’t know enough.

The year is 2018, and I’m twenty-nine now. Very close to thirty.

Right now, this is what I want to say:

If you’re in your mid-twenties and feeling overwhelmed, you’re not alone. It’s common to feel clueless and confused. I don’t know what your situation is, but just do your best. Your very, very best. So you won’t have any regrets.

Or perhaps, you’re a writer in the beginning of your career, still struggling and questioning yourself. Even though the dark tunnel does feel endless, if you never give up, one day your dream might just come true.

And talking about luck, I heard she favours those who work really, really hard.

Rainbirds: Amazon / Barnes & Noble / Powell’s / IndieBound / Book Depository

Clarissa Goenawan: Website / Facebook / Twitter / Instagram / Goodreads

Clarissa Goenawan is an Indonesian-born Singaporean writer. Her award-winning short fiction has appeared in literary magazines and anthologies in Singapore, Australia, the UK, and the US. Rainbirds is her first novel.

The Scariest Part: Chandler Klang Smith Talks About THE SKY IS YOURS

I’m thrilled that my guest this week on The Scariest Part is my good friend Chandler Klang Smith! Chandler and I met years ago when we both had books out from ChiZine Publications. She’s been a close friend ever since, and a writer whose skillful prose and boundless imagination I admire. Her new book is the dark, satirical SF novel The Sky Is Yours. Here is the publisher’s description:

In the burned-out, futuristic city of Empire Island, three young people navigate a crumbling metropolis constantly under threat from a pair of dragons that circle the skies. When violence strikes, reality star Duncan Humphrey Ripple V, the spoiled scion of the metropolis’ last dynasty; Baroness Swan Lenore Dahlberg, his tempestuous, death-obsessed betrothed; and Abby, a feral beauty he discovered tossed out with the trash; are forced to flee everything they’ve ever known.

As they wander toward the scalded heart of the city, they face fire, conspiracy, mayhem, unholy drugs, dragon-worshippers, and the monsters lurking inside themselves. In this bombshell of a novel, Chandler Klang Smith has imagined an unimaginable world: scathingly clever and gorgeously strange, The Sky Is Yours is at once faraway and disturbingly familiar, its singular chaos grounded in the universal realities of love, family, and the deeply human desire to survive at all costs.

The Sky Is Yours is cinematic, bawdy, rollicking, hilarious, and utterly unforgettable, a debut that readers who loved Cloud Atlas, Super Sad True Love Story, and Blade Runner will adore.

And now, let’s hear what the scariest part was for Chandler Klang Smith:

Midway through my new novel The Sky Is Yours, one of the main characters, an immature young man named Duncan Ripple, runs away from his family and the mansion where he grew up, only to find himself lost and alone in the mean streets of his fiery dragon-plagued city. In these uneasy new circumstances, the first figure he encounters is a mysterious fireman. Along with his peaked helmet and yellow slicker, this stranger wears an ancient, stained gas mask that conceals his identity.

I knew I wanted this juncture in the plot to signal a transition, to show that Ripple could not go home again. There’s an entire subgenre of horror concerned with coming of age: the babysitter who discovers the phone calls are coming from inside the house, the couple on a date who find the escaped convict’s hook-hand embedded in their car door. These monsters don’t hide under your bed; they wait out there, in the world, and escape from them is temporary at best. The only retreat is back into childhood, where your parents can still protect you, a realm where none of us can safely stay forever.

Introducing the character first as “Leather Lungs” — a nickname derived from the “mask of hose and hide” that conceals his features — I framed him as the subject of an urban legend in the city, the big bad of scary stories Ripple has heard a million times after lights out in boarding school, furtively whispered lest they summon him. In these stories, Leather Lungs appears behind you, in the half-fogged mirror. He looms at the foot of the bed when you awake with sleep-bleared eyes.

At this moment in the novel, though, he intrudes in full force, into the stark reality of midday.

I was pleased with Leather Lungs’ first appearance, but even after he was unmasked, I wanted him to retain some of the dread he initially instilled. What lurked beneath that snozzled hood? My inspiration for the answer came from an unlikely source: the fate of the puppet star of one of my favorite movies as a kid. These images of Hoggle from the Labyrinth, his face flayed of its vinyl sheathing, animatronics laid bare, lingered in my mind for longer than you might expect.

The idea of a face (especially a beloved face loaded with empathetic associations from my earliest repeat film viewings in childhood) stripped down to its mere machinery struck me as oddly chilling. The “uncanny valley” trips a wire in our brains. It tells us, “This creature is manipulating your instincts. Don’t trust them blindly! You have to use your head.” But what if the uncanny valley lies just beneath the surface of someone we used to know? Without giving too much away, I decided to place Ripple in the position of making this judgment call for himself, in order to show the abrupt way he’s thrust into forging his own alliances and managing his own destiny in the world.

I’m not a horror writer per se. But horror plays a role in every story I find worth writing, because it plays a role in every bold shift and transition a character can make in life. We encounter monsters, or we become them; we shed our flesh a little each day. We’re doomed to die — we don’t know what is coming for us, but it’s coming. One of my favorite writers, Thomas Pynchon, writes, “When we speak of ‘seriousness’ in fiction ultimately we are talking about an attitude toward death.” Horror, as a genre and as an emotion, takes death seriously because it leaves us with no way out. It brings the unknown too close for comfort. It gets under our skin.

The Sky Is Yours: Amazon / Barnes & Noble / Powell’s / IndieBound

Chandler Klang Smith: Website / Facebook / Twitter

A graduate of Bennington College and the creative writing MFA program at Columbia University, Chandler Klang Smith is the author most recently of The Sky Is Yours (Hogarth/Crown). She has worked in book publishing, as a ghostwriter, and for the KGB Bar literary venue. She is serving as a juror for the Shirley Jackson Awards for the second year in a row and teaches and tutors in New York City.

 

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