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Doctor Who: The New Doctor Will See You Now

Doctor Who returns to the small screen this weekend with Peter Capaldi taking over the role of the ever-regenerating Time Lord. The introduction of a new Doctor is always an exciting time, fraught with possibility. Routinely, fans are excited but also a little nervous. We can’t wait to see this Doctor, and yet we also bite our nails and wonder if we will like him. Advance word is that Capaldi is great in the role. I’m eager to see for myself, but I’ll be in Boston this weekend and will miss the season 8 premiere Saturday night. Which means I’m going to have to pretty much avoid all social media until I get a chance to see it unsullied by spoilers and other people’s opinions.

In honor of the 12th Doctor’s imminent arrival, I’ve decided to rank all the “new Doctor” episodes of the show, from both the classic and the modern eras. I won’t be counting “The Day of the Doctor” among them, by the way. Though it is technically a new Doctor episode with the introduction of the War Doctor, it’s neither treated nor structured as a new Doctor episode, and so, in my opinion, cannot be judged in the same way. Got it? Okay, now on to the list, from best to…um, worst seems like an understatement — the new Doctor episodes!

1. The Ninth Doctor — “Rose” Not just an excellent episode in its own right, but a spectacular introduction to the Doctor himself. With Christopher Eccleston’s masterfully delivered line, “I’m the Doctor. Run for your life,” we knew we were in for something special, and you didn’t have to be a lifelong Whovian to feel it. The first season of the modern Who does a great job of taking its time doling out information about who and what the Doctor is, but that first episode is breathlessly paced. It’s not perfect — there’s no such thing as perfect — but even Mickey’s ridiculous, cartoonish battle with the Auton trash bin can’t ruin it. Remarkably, this isn’t the first new Doctor episode to feature the Autons, either, as you’ll see.

2. The Eleventh Doctor — “The Eleventh Hour” You might be surprised to see me putting this one in second place, since longtime readers know I was not a fan of the Eleventh Doctor era. I felt the program really went downhill during those three seasons, but I also happen to think “The Eleventh Hour” is a great episode. It’s a very good introduction to the show for new viewers while still retaining the feel of the previous seasons despite the lack of any recurring characters. Matt Smith hasn’t started spinning in circles and flapping his arms yet, or mooning over his companion’s short skirts. There’s a lot of proto-Moffat stupidity to be seen in hindsight — the whole stupid, sexist Kissogram thing; characters who are set up as important but never appear again (that other young man in Amy’s life, for example); the whole “Silence will fall” plot line that still doesn’t make any sense even though we’ve now seen it through to its conclusion — but for roughly an hour, the episode kept me glued to the screen. That scene at the climax where the Doctor reprimands the Atraxi and tells them this planet is protected (“Hello, I’m the Doctor. Basically…run.”) is one of the best Doctor Who scenes of all time. This episode is filled with so much potential, none of which, in my opinion, came to fruition.

3. The Fourth Doctor — “Robot” The first Doctor Who serial I ever saw, and I was hooked from the start. The plot is okay. It’s basically a leftover Third Doctor and U.N.I.T. story about a killer robot and a secret society bent on world domination. The robot itself is pretty stupid, especially when it talks, reciting incredibly hammy lines in an inappropriately Shakespearean-trained-actor voice. But as the new Doctor, Tom Baker owns the screen from minute one. From the moment he tells Harry Sullivan, U.N.I.T. physician and soon-to-be companion, “Well, of course I’m being childish! There’s no point being grown-up if you can’t be childish sometimes,” I never looked back.

4. The Third Doctor — “Spearhead from Space” A crackling adventure with tons of action, humor, and alien-invasion goodness, featuring the very first appearance of both the Autons and Jon Pertwee as the Third Doctor. Nearly flawless. I would rank it higher up if it weren’t for some downright terrible dialogue between U.N.I.T. scientist Liz Shaw and the Brigadier, scratchy film quality, and the awful electronic farting music that would plague most of the serials during the Third Doctor era. But the story is a lot of fun, the Autons are a great new enemy, and Jon Pertwee is no less than a revelation in the role — the Doctor remade as a man of action. Venusian aikido, indeed!

5. The Eighth Doctor — The TV Movie In 1996, the world met the Eighth Doctor, played marvelously by Paul McGann, in a TV movie that ran on the Fox network. It also has the distinction of being the only Doctor Who episode to feature the regeneration of the previous Doctor and the complete introductory adventure of the next one. The plot is a little silly, and the reason for the Doctor’s regeneration — he gets shot by gang members right as he steps out of the TARDIS, then “dies” on the operating table because his internal organs are different from a human’s — really needed to be more science-fictional and less disturbingly realistic. There are also some newly introduced plot developments that left fans scratching their heads: The Eye of Harmony is inside the TARDIS instead of on Gallifrey, where we last saw it in 1976’s “The Deadly Assassin”? The Doctor is half-human on his mother’s side, like Spock?  What the…? But it’s a romp from start to finish, and is our first introduction to the idea of a romantic Doctor. When he kisses Grace at the end, fandom went insane. Most of the reaction was negative — the Doctor had never done anything like that before, and some felt it reduced Grace from equal companion to love interest — but the kissing never stopped after that. In fact, incidents only increased!

6. The First Doctor — “An Unearthly Child” The very first episode of Doctor Who, and for fans one of the most important twenty-five minutes in television history. So you might wonder why I didn’t rank it higher. Well, to be honest, I find it rather dull. As the Doctor, William Hartnell only appears in the last ten minutes of the episode, and all the Doctor does is mock and dismiss school teachers Ian and Barbara, who have come to a junkyard looking for their unusual student Susan, who happens to be the Doctor’s granddaughter. The Doctor is a straight-up asshole to them, and when they force their way into the TARDIS, he essentially kidnaps them against their will. The episode is hard to watch — literally at times, as the camera operator often doesn’t seem to know where to point it — but it’s hardly the worst of the bunch.

7. The Fifth Doctor — “Castrovalva” Before the new Who began, Peter Davison’s Fifth Doctor was my second favorite after Tom Baker’s Fourth. However, he wasn’t off to a great start. “Castrovalva” isn’t a bad episode per se, but it’s hamstrung by its reliance on the audience having seen the last two serials of the previous season: “The Keeper of Traken” and “Logopolis.” First-time viewers choosing to start with this new Doctor would likely have no idea what is happening for the majority of “Castrovalva’s” first episode. Add on top of that a ludicrously complicated plot by the Master, and companion Tegan Jovanka acting especially shrewish, and you have a story that’s not all that enjoyable. The best part is when the Doctor, still confused from his regeneration, gets lost in the corridors of the TARDIS and cycles through the personalities of all the Doctors who came before him. He also symbolically unravels the Fourth Doctor’s famous scarf along the corridors the way Theseus used a string so he wouldn’t get lost in the labyrinth, which is both sad and perfect.

8. The Tenth Doctor — “The Christmas Invasion” David Tennant’s Tenth Doctor is my new second favorite after Tom Baker, but the problem with his first full episode is that he’s barely in it. He only shows up at the very end, and while his scenes are great — like Tom Baker, he owned the role instantly — there isn’t nearly enough screen time involved. Instead, we have to suffer through forty minutes of Rose and Mickey dodging ridiculous robot Santas while the Doctor lies comatose in bed. The whole thing about being able to regrow his severed hand because he’s still technically regenerating is pretty out there, too. An inauspicious debut for one of the best Doctors ever.

9. The Second Doctor — “The Power of the Daleks” The very first “new Doctor” serial ever, and thus one of the most important moments in the program’s history. Unfortunately, very few people have seen it because it no longer exists. In the 1960s and ’70s, the BBC destroyed a bunch of their old tapes to make room for new ones in their limited storage facilities, and among those destroyed tapes were many, many episodes of Doctor Who from the First and Second Doctor era. So I’ve never seen “The Power of the Daleks.” I have seen some of the animated reconstructions online, though, which use the surviving audio from the episodes, but from what I saw it’s not actually very good. Companions Ben and Polly are uninteresting, the Doctor refers to his old self in the third person (“The Doctor was a great collector, wasn’t he?”), he decides to read his diary to get himself up to speed (I can think of nothing more narratively boring than that), and spends most of the time wearing an even stupider hat than the Eleventh Doctor’s fez. No thanks.

10. The Sixth Doctor — “The Twin Dilemma” Utterly unwatchable. Not only is the script terrible, it turns Colin Baker’s Sixth Doctor into a paranoid schizophrenic who tries to strangle his companion Peri to death. His personality stabilizes as the story goes on, but I don’t recall him ever actually apologizing to Peri for trying to kill her (and there’s no way I’m watching this garbage again to refresh my memory). Now, it would be one thing if there were repercussions for what the Doctor did that played out over the following stories, but there aren’t any. The whole thing is dropped immediately at the end of “The Twin Dilemma.” The story isn’t just nonsense, it’s unintentionally horrifying. A terrible first impression that the Sixth Doctor never fully recovered from in fans’ eyes.

11. The Seventh Doctor — “Time and the Rani” Even worse than “The Twin Dilemma,” if you can believe it. The script is beyond terrible, the villain’s plan makes no sense (steal the brains of geniuses from throughout space and time and turn them all into one giant brain!), and Sylvester McCoy as the Seventh Doctor doesn’t see a piece of scenery he doesn’t try to eat. Let’s not even talk about his companion Mel, who is nothing but a screechy parody of a 1980s exercise bunny. McCoy recovered from his terrible debut in a way that Colin Baker never really did, and indeed the Seventh Doctor went on to have some excellent stories, especially in his final two seasons. But as an introduction, “Time and the Rani” is a disaster.

And there you have it, my ranking of the “new Doctor” episodes! What do you think? Would you rank them differently? Did I malign one of your favorite episodes, or rank one higher than you think it deserves? Sound off in the comments and let me know!

Doctor Who: “The Web of Fear”

Recently, two long-lost classic Doctor Who serials from the Patrick Troughton era were rediscovered: “The Enemy of the World” and “The Web of Fear,” both from the program’s fifth season. I recently found “The Web of Fear” on DVD for cheap. I was much more curious about this one than I was about “The Enemy of the World,” which doesn’t look all that interesting or enjoyable to me. I also find myself unwilling to watch Patrick Troughton wear “brown face” while portraying Salamander, the Doctor’s villainous Mexican doppelgänger. (I’ve seen the pictures. The makeup is actually pretty subtle, but still. No.) But I was interested in “The Web of Fear,” so I took the opportunity to purchase the DVD.

“The Web of Fear” is actually a sequel to a serial from earlier that same season, “The Abominable Snowmen.” In that one, the Doctor (Troughton), Jamie (Frazer Hines), and Victoria (Deborah Watling) help Professor Travers (played by Deborah Watling’s real-life father, Jack Watling) defeat the Great Intelligence and its menacing robot Yetis. “The Web of Fear” takes place a little more than 30 years afterward. Travers has accidentally reactivated a robot Yeti in Julius Silverstein’s (Frederick Schrecker) private museum. This summons the Great Intelligence once more, who makes more Yetis and invades London in no time. The Doctor, Jamie, and Victoria materialize in the London underground, join forces with the army, and try to stop the Great Intelligence and the Yetis before all of England is destroyed.

Fans of recent Doctor Who might remember the Great Intelligence as played by the voice of Ian McKellan in the 2012 Christmas special “The Snowmen,” and by Richard E. Grant in person in the 2013 episodes “The Bells of St. John” and “The Name of the Doctor.” It’s all supposed to be the same character as in the Troughton serials, but I don’t even want to talk about it because it just reminds me what a disappointing mess this last season was, and how much I dislike what Doctor Who has become. Please, God, let the Capaldi era be better!

But I digress. Now I’m going to let you in on my dirty little secret, the one that probably makes me a terrible Whovian: I generally don’t like any Doctor Who serials from before the Tom Baker era. I find them bloated, tedious, and even quite boring. Yes, that includes many of the Jon Pertwee serials. Sacrilege, I know. But I find most of the William Hartnell serials unwatchable, the Patrick Troughton serials too lumbering and padded (even though I adore Troughton himself), and the Pertwee serials too formulaic. “The Web of Fear,” at six episodes, is definitely padded in the middle, but by keeping the action to a single location — the abandoned, creepy tunnels of the London underground — it manages to be a much tighter story than most of what came out of those early years (I’m looking at you, “The War Games”!) In fact, the whole thing has a great black-and-white Universal horror film feel to it, or maybe early Hammer Quatermass.

There are some standout moments. There’s a great exchange in the first episode that strikes me as an iconic Doctor moment, one of the many times Troughton laid important groundwork for the role and shaped it for every actor who followed him. After the TARDIS lands in the darkness of the abandoned underground, the Doctor says, “Shall we go out and have a look?” Victoria asks, “Is it safe?” To which the Doctor replies as he heads for the TARDIS door, “Oh, I shouldn’t think so for a moment.” There are also a few good scares, including a chilling moment when Professor Travers is possessed by the Great Intelligence. The scenes with the deadly fungus filling the train tunnels and breaking through walls are great. There’s even a wonderful moment of late 1960s women’s lib when a soldier asks Ann Travers, the professor’s scientist daughter, “What’s a girl like you doing in a job like this?” She replies, “Well, when I was a little girl I thought I’d like to be a scientist, so I became a scientist.”

Unfortunately, early Doctor Who wasn’t always so great when it came to its female characters (some might say current Doctor Who isn’t, either), and even in 1968 old habits die hard. Ann, the same woman who gives that killer brush-off above, tells Victoria mere minutes later to go make tea for everyone to take her mind off her worries about the Doctor, who might have been blown up by explosives in the tunnels. Say what now? Victoria actually does very little in this serial except scream, whine, and get kidnapped. Also problematic: Julius Silverstein is presented as such a Jewish stereotype that it’s actually jarring to see something so blatantly anti-Semitic in this day and age. The majority of his screen time is spent haggling about money. Luckily (?) he’s killed off about ten minutes into the first episode. I also have some questions about the Yetis themselves, such as why robots would need to carry guns to shoot the webbing everywhere when they could just as easily have been built to shoot it out of their arms, or why they would be programmed to roar like monsters when they’d be much more efficient as stealth weapons, but sometimes you gotta just go with what you’re given.

The real historical value of “The Web of Fear” for us Whovians is that it is the proto-UNIT story. Brigadier Lethbridge-Stewart (Nicholas Courtney; just a Colonel here in his first appearance) and UNIT (which hasn’t been formed yet, but will exist by the time he shows up again in the next season’s Cybermen-invade-London story “The Invasion”) became an integral part of Doctor Who from that point onward, especially in the Pertwee era. It’s very cool to see Lethbridge-Stewart’s first appearance in “The Web of Fear,” even if it occurs in the one episode of the serial that wasn’t recovered.

Yes, episode three of “The Web of Fear” is still missing. On the DVD, it’s reconstructed with still photographs and a complete audio recording. It’s tedious to sit through, but worth it for Lethbridge-Stewart’s debut. The DVD’s picture and sound are remarkably good. I didn’t know what to expect, but the episodes are crisp and clear enough to convince me that they look and sound the same as they did when they first aired. My only complaint is the DVD’s lack of special features, apart from a trailer for “The Enemy of the World.” A documentary on the episode’s discovery, restoration, and the reconstruction of episode three would have been welcome. Some reminiscences by surviving cast members like Hines and Watling would have been great, too. But I suppose just getting to finally see “The Web of Fear” more than forty years after it first aired is its own kind of special feature.

I think fans of classic Doctor Who will really enjoy seeing “The Web of Fear.” It’s available on DVD and various streaming platforms. Check it out.

R.I.P. Kate O’Mara

Multiple sources are reporting the death of British actress Kate O’Mara at the age of 74. She was best known for her role in the 1980s primetime soap Dynasty, but I knew her as the Rani on Doctor Who.

As a villain, the Rani was an interesting character. Yet another in a long line of renegade Time Lords, she wasn’t evil the way the Master was. Where the Master was a megalomaniac who wanted to rule the cosmos, the Rani was merely a dedicated scientist who treated everyone and everything as secondary to her research. In her quest to extract and study human brain chemicals, who cared if a few humans died along the way? She hated the Doctor, presumably for his morality, but hated the Master just as much. She thought the Master’s ridiculous rivalry with the Doctor had turned him stupid, saying about him once, “He’d get dizzy if he tried to walk in a straight line.”

Unfortunately, this was 1980s Doctor Who, which meant that even if she was an interesting character, nothing all that interesting was ever done with her. She only appeared in two serials (I’m not counting 1993’s “Dimensions in Time,” because no one should). The first was 1985’s “The Mark of the Rani,” in which she, the Master, and the Doctor all wind up in Killingworth during the Luddite riots of the 19th century. The Doctor saves the Industrial Revolution while his companion Peri, wearing a hideous, ill-fitting yellow and pink dress that looks like she bought it from a blind, deranged dressmaker at a Renn Faire, is menaced by stagehands dressed as trees in a field. The Master doesn’t do much of anything except try to team up with the Rani to defeat the Doctor once and for all, or something. His presence is completely superfluous to the story. The whole thing is terrible.

Her second appearance, 1987’s “Time and the Rani,” is even worse. (Both serials were written by Pip & Jane Baker, a writing team that I think bears most of the blame for the awful Doctor Who scripts of the 1980s.) This is also the first appearance of Sylvester McCoy as the Doctor, taking over for Colin Baker, who was the Doctor in the Rani’s previous serial. The story is such a disaster (the Rani tries to trick the newly regenerated Doctor by impersonating his companion Mel with the help of nothing more than a curly red wig, which I guess she had lying around somewhere) and the Rani’s plan is so ridiculous (gathering the minds of all the greatest thinkers of the galaxy into a giant brain) that “Time and the Rani” is best left to the dustbin of history, where it can be rightfully forgotten.

As you might imagine, the Rani was hardly my favorite Doctor Who character. Both serials she was in were really bad, but Kate O’Mara herself was such an amazing actress, and such a strong presence, that she turned every awful line into gold. In the hands of better writers, I’m convinced the Rani could have been a lot more than she was. But O’Mara did the best she could with what she was given, which wasn’t a lot, and she still managed to blow everyone else off the screen.

I also remember O’Mara from the 1970 Hammer film The Horror of Frankenstein, which, while not as revered as the Frankenstein movies Hammer did with Peter Cushing, is still a lot of fun. In that one, she plays Alys, the villainous chambermaid who tries to blackmail Dr. Frankenstein. That same year, she starred opposite Ingrid Pitt and Peter Cushing, again for Hammer, in The Vampire Lovers, which is one of my favorite vampire films. As the governess Mme. Perrodot, she is enthralled by the beautiful vampire Carmilla and becomes her willing tool in wreaking havoc. (O’Mara also appeared in an episode of The Avengers in 1969, but it was a Tara King episode, and who remembers those?)

Kate O’Mara was an incredibly versatile actress. She didn’t always have the best scripts to work with, but she brought a lot to every role. Her death is a sad loss to the acting world. She will be missed.

Presented Without Comment

 

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