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Burning Girls

Burning GirlsBurning Girls by Veronica Schanoes

My rating: 5 of 5 stars

I find myself speechless in trying to describe how good this novella is. I’m tempted to just write READ IT NOW and leave it at that, but as a review that would hardly be convincing enough. Part historical fantasy, part horror tale, BURNING GIRLS takes Jewish folklore out of the shtetl, brings it to the New World, and applies it to one of New York City’s most notorious and lasting tragedies. To say it blew me away would be an understatement. In only a short number of pages, Schanoes creates characters that feel as real to you as your own family, and a world that lives and breathes as much as the one around you. It’s no surprise that BURNING GIRLS won the Shirley Jackson Award for best novella of the year, or that it continues to receive such well deserved accolades. This is something special. Read it now.

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The Scariest Part: Charlene Challenger Talks About THE VOICES IN BETWEEN

Voices_Cover

Welcome to this week’s installment of The Scariest Part, a recurring feature in which authors, comic book writers, filmmakers, and game creators tell us what scares them in their latest works of horror, dark fantasy, dark science fiction, and suspense. (If you’d like to be featured on The Scariest Part, check out the guidelines here.)

My guest is Charlene Challenger, whose debut novel is The Voices In Between. Here’s the publisher’s description:

This stirring coming-of-age novel presents issues such as domestic violence and emotional abuse, as well as cultural and sexual identity.

Adoni is a teenaged girl who lives in a downtown apartment with her mother, an emotionally and physically abusive woman who drinks too much. One evening, Adoni finds herself drawn to the enchanting voice of a man singing in the alley beneath her bedroom window. The man, Ritter, brings Adoni to the Welcome, a northern colony of the In-Between world, where young people who have been rescued from harm are kept safe by their sworn immortal protectors, the pipers. But when the Welcome is attacked by changelings–led by the vicious and charismatic Sylvester–and a centuries-old grudge spills over the edge and threatens to destroy the colony and everyone who lives there, Adoni must find the strength and courage within to stop the oncoming war.

And now, let’s hear what the scariest part was for Charlene Challenger:

I don’t usually resort to glib one-liners about the writing process for inspiration, but I’ve always resonated with the concept of writing what scares me, so I’m happy to be featured as this week’s guest blog post for The Scariest Part.

The Voices In Between was an extremely difficult book for me to write. The story came to me while I was working in children and youth services in downtown Toronto, and the subject matter (trauma/abuse, cultural and sexual identity) hits home for me in a lot of ways. As someone who was mercilessly bullied (read: systematically and relentlessly harassed and devalued) as a kid, I deal with cripplingly low self-esteem and occasionally suffer from panic attacks and insomnia. So the first Scary Thing I had to overcome was actually hammering the story out on my laptop after work and into the early morning hours of the next day.

I’ve written novel-length works in the past, none of which were really any good, but Voices is the first work I’ve ever had published, and the stakes are high for me. This is the first time I’ve put my name on something that I’ll no longer be able to control — no fiddling with the language, no tweaking the plot, no finessing the dialogue. The second Scary Thing is offering my book up to others knowing that not everyone is going to love it or relate to it as much as I do. Reviews aren’t beta-reads from encouraging friends and loved ones; they’re criticisms of a novel a writer has spent years working on. The best of them will hopefully help the book find its audience. The worst of them? I don’t even want to think about it.

This leads me to the third Scary Thing, which is, in fact, the scariest part: owning up to everything I’ve committed to the pages, which carry, in essence, little glimpses into the truth of my experience. While every character in Voices is a reflection of who I am, there is no character I identify with more than Sylvester, the changeling antagonist. Sylvester has been through a lot in his life and (without getting too spoilery) carries an intense rage in his heart as a result. He’s very much like Steppe, the piper leader of the northern colony of the In-Between, whose anger runs just as deep. Unlike Steppe, however, Sylvester acts on his fury with devastating results. Sylvester is so resentful of the cards he’s been dealt in life, so uncompromising in his hatred for those whom he thinks have wronged him, he no longer cares who he hurts, or how.

So help me, I can be that angry. I can get so angry I can hold a grudge for years. I’m not proud of that. I’m afraid there will come a time in my life when my anger will be so indiscriminate, I’ll end up hurting someone I love. Beyond repair.

Put it all together and what do you have? An author with first-time jitters and commitment issues who’s terrified of letting everybody down, including herself. But I’m fortunate in that, very often, what terrifies me also exhilarates me, and I’m ready to bid farewell to these particular fears and to welcome a set of new ones (such as — GASP! — writing the SOPHMORE NOVEL).

Charlene Challenger: Website / Goodreads / Twitter / Facebook

The Voices In Between: Amazon / Goodreads / Tightrope

Charlene Challenger is a writer and graduate of Ryerson Theatre School. Her first novel, the young adult fantasy The Voices In Between, is published by Tightrope Books. Her work is also featured in Stone Skin Press’s A 21st Century Bestiary and Exile Editions’ Start a Revolution: QUILTBAG Fiction Vying for Change. Charlene is currently working on the sequel to Voices. She lives in Toronto.

Snowblind

SnowblindSnowblind by Christopher Golden

My rating: 4 of 5 stars

A tremendous horror novel that brings to mind many of the best early works of Stephen King and Peter Straub. Golden understands that horror is more about the characters than the monsters, and SNOWBLIND is full of indelible characters you feel like you know intimately by the end. By following an interconnected group of townsfolk as they deal with the ghosts of their past, both emotional and real, Golden finds a way to remind us that horror is, more than anything else, the genre of tragedy, of loss, and ultimately of picking up the pieces afterward. An outstanding work that feels both classic in its structure and refreshingly new in its conversation with the genre. More books like this, please.

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The Scariest Part: A.J. Colucci Talks About SEEDERS

Seeders (3)

Welcome to this week’s installment of The Scariest Part, a recurring feature in which authors, comic book writers, filmmakers, and game creators tell us what scares them in their latest works of horror, dark fantasy, dark science fiction, and suspense. (If you’d like to be featured on The Scariest Part, check out the guidelines here.)

My guest is A.J. Colucci, whose latest novel is Seeders. Here is the publisher’s description:

George Brookes is a brilliant but reclusive plant biologist living on a remote Canadian island. After his mysterious death, the heirs to his estate arrive on the island, including his daughter Isabelle, her teenage children, and Jules Beecher, a friend and pioneer in plant neurobiology. They will be isolated on the frigid island for two weeks, until the next supply boat arrives.

As Jules begins investigating the laboratory and scientific papers left by George, he comes to realize that his mentor may have achieved a monumental scientific breakthrough: communication between plants and humans. Within days, the island begins to have strange and violent effects on the group, especially Jules who becomes obsessed with George’s journal, the strange fungus growing on every plant and tree, and horrible secrets that lay buried in the woods. It doesn’t take long for Isabelle to realize that her father may have unleashed something sinister on the island, a malignant force that’s far more deadly than any human. As a fierce storm hits and the power goes out, she knows they’ll be lucky to make it out alive.

A.J. Colucci masterfully weaves real science with horror to create a truly terrifying thriller, drawing from astonishing new discoveries about plants and exploring their eerie implications. Seeders is a feast of horror and suspense.

And now, let’s hear what the scariest part was for A.J. Colucci:

The scariest part of Seeders. That’s a tough one. It could be how six people are stranded on a cold, desolate island and start losing their minds. Or the decomposing body they find in the woods. Perhaps it’s the premise of the book — communication between plants and people, based on actual science — because in my book plants don’t just feel pain and emotion; they fight back.

However, for me, the scariest part of the story is what happened while writing the novel. I’d been working on Seeders during the winter months when the towering trees in my neighborhood were bare and loomed like angry giants, staring down at me with thousands of claw branches as I took my morning walks. Lost in my story, the trees seemed eager to attack, and frustrated by the roots that kept them anchored to the ground. I learned from my research that rootedness is their curse. And I did hours of research, every day, getting daily doses of plant facts. Trees and plants feel pain. They can learn and remember. They can signal insects and send chemical warnings to each other. Did you know the lovely smell of fresh cut grass is actually your lawn screaming?

However, as spring approached and their leaves began to bud, the trees didn’t look so frightening. I remember thinking the mighty oak seemed more content, less hostile in the warmth of a sunny day. It came time to tend to my garden, and I got the old snipping shears out of the shed to trim my four foot Japanese Red Maple. It has those droopy branches and its feathery leaves were beginning to touch the ground.

But before making the first snip, I hesitated. After all my research, was I really going to cut this tree? I knew plants, in their own way, felt pain. They reacted to trauma by becoming depressed. Simply cutting one branch would affect the entire plant for hours. Yet, not cutting the droopy branch was an invitation to bugs crawling on the ground. So I snipped it. All seemed fine until a couple seconds after the snip and I heard a squeal. I kid you not. It was a small squeal of pain. Of course, I thought it must be my imagination, but my heart kicked up and I stared bug-eyed at the tree. I held my breath. I tried it again. A second after the snip, I heard the squeal. Now my blood ran cold and my hand was shaking. I looked around to see if anyone was around, even though I was positive the noise came from the tree. I snipped once more, and two seconds later it cried out. I recalled the sound, sort of a high pitch whine and the release of a tiny breath. Like what you’d hear from a baby in a moment of discomfort.

With a tight fist I stood up, and then loosened my grip. There was that sound again. I looked closely at the shears, pinching them closed and letting them snap open. It was the shears, the stupid shears! They were slightly rusted and squeaked when they sprang open. Still, rusty shears or not, I cannot forget that feeling of horror. Thinking, knowing, the tree had shrieked. After everything I learned while researching Seeders, I know we can never be quite sure of what a plant is really feeling, or thinking.

A.J. Colucci: Website

Seeders: Amazon / Other sellers

A.J. Colucci is an author of science thrillers, stories that combine true, cutting-edge science with the adrenaline-rush of a thriller. Her latest novel, Seeders, was described by #1 New York Times bestselling author Douglas Preston as “Gripping and brilliantly original.” Her debut novel, The Colony, was given a starred review by Publishers Weekly, and Booklist called it “a frightening combination of well-researched science and scenes of pure horror.” A.J. spent 15 years as a newspaper reporter, magazine editor and writer for corporate America. Today she is a full-time author who lives in New Jersey with her husband, two daughters and a couple of adorable cats. A.J. is a member of International Thriller Writers.

 

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