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The Scariest Part: Lisa Morton Talks About ZOMBIE APOCALYPSE! WASHINGTON DECEASED

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Welcome to this week’s installment of The Scariest Part, a recurring feature in which authors, comic book writers, filmmakers, and game creators tell us what scares them in their latest works of horror, dark fantasy, dark science fiction, and suspense. (If you’d like to be featured on The Scariest Part, please review the guidelines here.)

I’m very pleased to have six-time Bram Stoker Award-winning author Lisa Morton as my guest. I’ve known Lisa for a long, long time, despite living on opposite ends of the country from each other, and her tireless work in supporting and promoting the horror genre is legendary. She also happens to have a new novel out called Zombie Apocalypse! Washington Deceased. Here is the publisher’s description:

There is nothing to fear, but fear itself . . . and Zombies!

A novel set within the Zombie Apocalypse! mythos created by Stephen Jones for his bestselling trilogy, Washington Deceased is sent during the second half of Zombie Apocalypse! Fightback, when the zombies’ intelligence is increasing and they have formed themselves into a society, and an army. New York and Los Angeles have fallen to the walking dead and there has been no news out of Chicago, but Washington DC is still holding out and the South is still free. Time is running out, though, for the battalions defending Capitol Hill . . .

As the most powerful symbols of American democracy begin to fall, the President and her advisors must be protected at all costs. But what if there are people in her own government who are prepared to do a deal with the living-dead invaders to retain power at any cost?

Meanwhile, “Zombie King” Thomas Moreby is making his own plans to rule the United States as his control increases across the country. Moreby claims to have “foreseen” his victory, but there are emerging factions in his own ranks who are starting to question their role in the war between zombies and humans.

And how does the mysterious New World Pharmaceuticals fit into the New Zombie Order?

And now, let’s hear what the scariest part was for Lisa Morton:

Zombie Apocalypse! Washington Deceased is a big, cross-country sprawl that charts the fall of the United States during a (surprise!) zombie apocalypse. As such, this is not a horror novel of subtle chills and quiet terrors, nor does it venture into SLC (Spring-Loaded Cat for the uninitiated) territory. I wanted it to disturb readers, to occasionally gross them out, but overall to create a sense of terrible doom.

The pivotal sequence in the book is a battle that occurs around the White House. At this point in the book, martial law has given way to a provisional government that’s holed up in a secret underground bunker complex beneath Washington. Zombies have overrun the world, leaving scattered pockets of human resistance. The acting president believes retaking the White House — the architectural symbol of American power — is crucial in unifying these fighters, and it needs to be done while there are still enough human forces left to unify.

The ensuing battle was important not just for setting up plot points that play out in the second half of the book, but also for setting up that sense of dread, that unnerving feeling that you’re right smack in the middle of watching the final, definite failure of your way of life. Two protagonists fly into the scene; only one makes it out alive, and her faith in their efforts is so severely shaken that it changes her.

One of the things I knew early on that could easily derail this sequence was the believability factor. The reader needs to be thinking, “Oh my God,” not, “But that doesn’t make sense,” or (in case the reader has military knowledge or experience), “They wouldn’t have that tank in that situation.” Now, I’m far from an expert in war machinery or strategy, so I started researching this stuff early on, even while I was writing earlier parts of the novel. I spent weeks, maybe months, reading up on skirmishes and battles, military leadership and chain of command, guns, armor, drones and their missile payloads, tanks, RCVs (Route Clearance Vehicles), the layout of Washington (and especially the grounds surrounding the White House), and all the military bases and supply depots within a day’s drive of Washington. I studied reports from the Iraq and Afghanistan conflicts that had been made into bit torrent files by Wikileaks, I read books on politics and government, I went to the websites for all the bases and looked at what they made and stored (did you know you could do that? I didn’t), I watched YouTube videos of guns and tanks and drones in action…and slowly I began to chart out the sequence.

It wasn’t enough to know merely how an RCV would work; it was equally important to my uses to know how these pieces of equipment would fail. In some cases I just plain had to guess, or make something up. You can’t find quite everything online, after all.

Watching America’s high-powered arsenal fall before the zombies was central to this sequence, and to building that all-important dread. Wound around these big set pieces were the smaller actions of the two protagonists who are in the middle of the conflict. I chose one of these two to be the main point-of-view character in the sequence, and so the horror had to be experienced through her eyes. She’s been involved with planning this attack, and now she’s watching it fail, very badly. For all the research into machinery and weapons, it all has to come back to what one person is feeling. Without her, it just becomes a big, spectacular but empty battle. With her, I hope it worked as a large-scale, adrenaline-pumping, realistic exploration of shock and awe.

Lisa Morton: Website / Facebook

Zombie Apocalypse! Washington Deceased: Amazon / Barnes & Noble / Powell’s / IndieBound

Lisa Morton is a screenwriter, author of non-fiction books, award-winning prose writer, and Halloween expert whose work was described by the American Library Association’s Readers’ Advisory Guide to Horror as “consistently dark, unsettling, and frightening.” Her most recent releases include the novella By Insanity of Reason (co-authored with John R. Little) and the novel Zombie Apocalypse! Washington Deceased. She lives in North Hollywood.

The God Engines

The God EnginesThe God Engines by John Scalzi

My rating: 4 of 5 stars

An astonishing novella that fuses dark fantasy with science fiction tropes, THE GOD ENGINES packs a lot into a short number of pages. Scalzi has succeeded in creating a fully realized — and utterly insane — world of enslaved gods, powerful theocracies, and blind faith. I had no idea where this story was going, and the places it went were astounding. The ending in particular was breathtaking. Dark, terrifying, and visceral, THE GOD ENGINES may be the closest Scalzi has come to writing horror. Fantasy and science fiction readers will eat this up, but horror readers should give it a shot, too. It’s a mini masterpiece of cosmic dread.

View all my reviews

The Troupe

The TroupeThe Troupe by Robert Jackson Bennett

My rating: 5 of 5 stars

A spectacular coming-of-age fantasy novel from one of the best new fantasists in recent years. As with his previous two novels, MR. SHIVERS and THE COMPANY MAN, Bennett mixes strong fantastical and mythical elements into a historical narrative — in this case, magicians traveling incognito on the early 1900s vaudeville circuit while they run from their enemies and quest for a very special magic. There are plenty of great characters the reader will come to care about as sixteen-year-old George Carole falls in with the troupe while searching for his absent father. Each character has their own secrets to reveal and layers to peel back. The setting is vivid and fascinating, the mythology compelling, and the plot kept me turning the pages through to the very end. As much as I loved MR. SHIVERS and THE COMPANY MAN, THE TROUPE may be the best novel by Bennet I’ve read yet. If you haven’t read anything by him, you’re truly missing out.

View all my reviews

The Scariest Part: Adrian Cole Talks About THE SHADOW ACADEMY

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Welcome to this week’s installment of The Scariest Part, a recurring feature in which authors, comic book writers, filmmakers, and game creators tell us what scares them in their latest works of horror, dark fantasy, dark science fiction, and suspense. (If you’d like to be featured on The Scariest Part, please review the guidelines here.)

My guest is Adrian Cole, whose latest novel is The Shadow Academy. Here’s the publisher’s description:

After the Plague Wars they waited for the invasion. And as the new Dark Age dawns… there is one who can bring light.

In a world little more than a whisper away from ours, the islands of Grand Brittannia lie just off the shores of the deeply forested content of Evropa, the dark and forbidding realm of legends scarcely remembered.

Grand Brittannia, itself almost completely a place of deep forest and mystery, has at its heart the crumbling, anachronistic administrative city of Londonborough. From here the Central Authority wields power over the Islands and exercises its control rigidly and clinically. Since the rigours of the Plague Wars, some hundred years in the past, when almost the entire population of the world was wiped out and the gradual decline of civilization began, industry and technology have atrophied, their development now strictly vetted by the Authority.

Out on the far-flung coasts, a network of ancient fortress ports wait in readiness for an invasion that some say will never come, their ancient, declining Academies committed to the rigours of training the defenders of the Islands. These Academies are subjected to regular inspections by Enforcers from Londonborough, and their native inhabitants are constantly being swelled by the young military graduates from the Authority’s own Military Academies in the center. Into a cauldron of intrigue and subterfuge that is the town and Academy of Petra comes Chad Mundy, the Authority’s replacement for Drew Vasillius, a veteran teacher who has committed suicide. At least, that is what he’s been told…

And now, let’s hear what the scariest part was for Adrian Cole:

The Shadow Academy introduces us to a world very much like our own, but one where the landscape and culture of the population have been changed by a distant series of catastrophes known as the Plague Wars. Grand Britannia, equivalent to our British Isles, is almost totally overgrown with forest and only a handful of cities exist, from the central Londonborough, which exercises firm and sometimes ruthless control, to the outlying satellites, such as Petra Dumnoniorum in the remote South West.

Chad Mundy is a young teacher, sent to his first posting to Petra and its bleak Academy, to educate its students in English and to train them in hand-to-hand combat. He enters an environment that is even more insular than he had anticipated, where he begins to uncover more than a few hints of rebellion against the Authority that rules both centrally and locally, and against the weakened Christian religion.

The unease that Mundy gradually feels through the first part of the book begins to take on a deeper, more tangible form when one night he accompanies some of the staff of the Academy across the river to meet some of the more openly insurgent factions and is told, secretly, that his predecessor, formally believed to have committed suicide, was murdered.

Mundy feels the hostility of this strange landscape, with its crumbling buildings and derelict ships, the treacherous currents of the river and the suggestion of the supernatural. City born and bred, he feels more than ever out of his depth in a region that has a subtle beauty about it, but where an undercurrent of deep-seated power is stirring. Even at this stage in the novel, the storm that is building meteorologically can be sensed, gathering far away, but inevitably coming.

After a gradual build-up, the book abruptly plunges Mundy into a sequence of action where he is being pursued by a gang of men, clearly intent on harming him. His flight back to Petra across the river, with its intimation of “blood on the water” and his stumbling across strange carvings on the doors of some of the houses, add to his rising fears. He is cornered, weaponless against cold-blooded opponents.

At this stage of the novel, it is not clear to the reader whether the potential supernatural elements of the novel are to be realised. The superstition of the local people, specifically encapsulated in the terror of the caretaker, Skellbow, links to a secret past in and around Petra, whose dark secrets pulse with the increasing threat of menace.

To me the “Scariest Part” is this scene of terrified flight, which captures not only form the platform for a journey for Mundy into an even darker region, but starts the unravelling of the nature of the true powers that are work in his disturbing world.

Adrian Cole: Website / Goodreads

The Shadow Academy: Amazon / Goodreads / EDGE

Adrian Cole was born in Plymouth, Devonshire in 1949. He is currently the Director of College Resources in a large secondary school in Bideford, where he now lives with his wife Judy, son Sam, and daughter Katia. He remains best known for his Dream Lords trilogy as well as his young adult novels, Moorstones and The Sleep of Giants.

 

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