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The Con Artist

The Con ArtistThe Con Artist by Fred Van Lente
My rating: 5 of 5 stars

I enjoyed Fred Van Lente’s debut comedic mystery novel, 2017’s 10 DEAD COMEDIANS, but THE CON ARTIST finds the author fully in his element. (Although Dante Dupree from 10 DEAD COMEDIANS is name-checked in THE CON ARTIST, which I guess puts both novels in the same…Van Lenteverse?) A murder mystery set at a nerdy convention isn’t exactly a new concept (Sharyn McCrumb’s 1988 BIMBOS OF THE DEATH SUN comes to mind, as does Nick Mamatas’s 2016 I AM PROVIDENCE), but what makes THE CON ARTIST special is its insider’s view of San Diego Comic-Con. (Van Lente himself has been a comic book professional for decades and is no stranger to comics conventions.)

The mystery is more grounded this time around, with less of a ticking clock, which allows the reader plenty of opportunities to soak in the narrator’s observations about the convention, which I suspect are not all that different from Van Lente’s own. Some of those observations are quite funny, such as the breakdown of the five categories of people the artists in Comic-Con’s Artists Alley regularly have to interact with, while others are more poignant or disturbing, like the trajectory that can gradually transform a fan who loves comics more than anything into someone who harasses comics creators online with insults and death threats.

THE CON ARTIST is a fun, quick read with a compelling mystery and a singular and truly enjoyable insider’s POV. Mystery readers will be entertained, but if you’re also into comic books you’ll definitely get something extra out of it.

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The Scariest Part: Eliot Parker Talks About A KNIFE’S EDGE

This week on The Scariest Part, my guest is Eliot Parker, whose new novel is A Knife’s EdgeHere is the publisher’s description:

Six months after a drug cartel infiltrated Charleston, Ronan McCullough continues to fight the drug war that plagues the city. His investigations are halted when the body of a mutual acquaintance, Sarah Gilmore, is found in the trunk of a burning car. In an investigation that takes him deep into the professional and personal life of the victim, McCullough discovers secrets lurking in her past, and a tangled web of personal and professional conflicts, suspicion, and betrayal. Was Sarah killed for those reasons or something larger? As Ronan seeks answers, his life and the lives of those closest to him are used as pawns in a deadly game that has no ending.

And now, let’s hear what the scariest part was for Eliot Parker:

There are several parts of my book that are scary. One scary component of the novel is the sheer level of violence that occurs, at times, in the book. The violence is not present by happenstance because it is necessary to move the plot of the story forward. For example, in the book, Ronan and the police are trying to manage a crime wave and increased drug activity that is plaguing Charleston, West Virginia.  Ronan gets pulled away from that work when the body of a mutual acquaintance, Sarah Gilmore, is found butchered in the back of a burning car. The investigation takes him deep into the personal and professional life of the victim. Ronan discovers some secrets in Sarah’s past and also discovers a tangled web of personal and professional relationship contacts. Ronan has to determine if those conflicts lead to her death or was it something larger, and Ronan gets some answers, and puts himself and his family into harms way. As I got into the story and got to know my characters on a deeper level, I realized that the only way Ronan McCullough was going to survive was to become more ruthless than his adversaries.

The work that Ronan does is dangerous work and the physical and emotional toll it takes on him in this book (like in the last book) is tremendous. Those feelings impact Ronan’s relationship with Ty and Nick (his nephew), who Ronan loves more than anything, but struggles to keep them away from his work and keep them safe as the story unfolds. Ronan and Ty have to hide their relationship so that Ronan is not ostracized as a member of the police department and that serves as another layer of conflict. There is a more dangerous, more deadly set of criminals that have moved into Charleston now as a result of what happened in Fragile Brilliance and as they ratchet up their lethal behavior, Ronan has to lift himself up to match the challenge. Ronan finds himself in this book having to fight “eye for an eye” in several moments in order to get the information and help he needs.

The scariest part of my book centers on the premise of the plot. A Knife’s Edge is a sequel to an earlier novel, Fragile Brilliance. One of the subplots in Fragile Brilliance involved Ty (Ronan’s boyfriend and an emergency room nurse) leading a fundraising team at Charleston Mercy Hospital. The hospital was trying to raise money for a new children’s cancer center. In this book, the money has been raised and the new wing has been built onto the back of the hospital. The hospital was able to complete the fundraising thanks to a donation from a new blood diagnostics company called BTech, who was promised a floor of lab space in the new hospital as a “thank you” for the donation. Also, due to a severe state budget crisis, the state of West Virginia no longer operates the state police crime lab in South Charleston, and instead has outsourced their blood analysis work for police investigations to BTech. I was at a bookstore a few years ago and I picked up a copy of Time Magazine. On the front cover was a woman named Elizabeth Holmes, whom the magazine had named as the most influential woman in the country. She founded a company called Theranos which created technology and equipment that could diagnose diseases, infections, illnesses, etc. in patients with just a drop of blood from the end of a finger. The idea was that hospitals and crime labs wouldn’t need all of this expensive equipment that has to be purchased and maintained. Instead, Theranos developed two machines that could do all the blood analysis work. Unfortunately, the company ended up being a fraud, but when I read the story, I started thinking, “What would happen if that type of technology made it into the wrong hands?” That’s when I decided to include it in my plot.

An emotionally “scary” part of the book for me as the writer was writing a sequel to a novel. This is the first time I have ever written a sequel. I think the scariest challenge when writing a sequel, for me, comes with characters. In the second book, you (as the writer) want to make sure that the characters remain true to themselves, but at the same time, you want them to grow and develop as the book progresses. That was a real challenge for me. However, it was so much fun spending time with all of these characters again.

A Knife’s Edge: Amazon

Eliot Parker: Website / Facebook / Twitter / Instagram

Eliot Parker is the author of four thriller novels. His third novel, Code for Murder, was a finalist for Best Thriller Novel by American Book Fest in 2018. Eliot is a graduate of the Bluegrass Writers Studio at Eastern Kentucky University with an M.F.A. in Creative Writing. A recipient of the West Virginia Literary Merit Award and also a finalist for the Southern Book Prize in Thriller Writing, Eliot teaches writing and literature at Mountwest Community and Technical College.

The Bone Mother

The Bone MotherThe Bone Mother by David Demchuk
My rating: 4 of 5 stars

David Demchuk’s beautiful, hauntingly written novel THE BONE MOTHER is told in a series of monologues by the inhabitants of an Eastern European town on the cusp on World War II, as well as their descendants in the modern day. But these are no ordinary characters — many of them are supernatural beings, creatures out of folklore who live there in relative peace and prosperity, sheltered from the outside world and working at the local thimble factory. Think Edgar Lee Masters’ SPOON RIVER ANTHOLOGY meets Clive Barker’s CABAL. But as World War II breaks out across Europe, a special force known as the Night Police comes for the residents of the town, persecuting them, rounding them up, and killing them. It put me in mind of the treatment of the Jews and other so-called “undesirables” by the Nazis, and I’m sure that’s no accident. Demchuk’s writing is exquisite, as one might expect from an award-winning playwright, and his imagination seems boundless. THE BONE MOTHER is a deeply powerful and touching novel that will leave you forever changed.

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Catch Me On the Literary License Podcast

Tune in to hear me and my 100 Fathoms Below co-author Steven L. Kent discuss John W. Campbell’s classic novella “Who Goes There?” and Howard Hawks’ 1951 film adaptation The Thing from Another World with host Keith Chawgo on season 2 episode 31 of the Literary License Podcast! You can catch it on:

Podbean

Soundcloud

Spotify

iTunes

or the Literary License Podcast website!

I hope you’ll give it a listen!

 

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