News & Blog

The Scariest Part: Eliot Parker Talks About A KNIFE’S EDGE

This week on The Scariest Part, my guest is Eliot Parker, whose new novel is A Knife’s EdgeHere is the publisher’s description:

Six months after a drug cartel infiltrated Charleston, Ronan McCullough continues to fight the drug war that plagues the city. His investigations are halted when the body of a mutual acquaintance, Sarah Gilmore, is found in the trunk of a burning car. In an investigation that takes him deep into the professional and personal life of the victim, McCullough discovers secrets lurking in her past, and a tangled web of personal and professional conflicts, suspicion, and betrayal. Was Sarah killed for those reasons or something larger? As Ronan seeks answers, his life and the lives of those closest to him are used as pawns in a deadly game that has no ending.

And now, let’s hear what the scariest part was for Eliot Parker:

There are several parts of my book that are scary. One scary component of the novel is the sheer level of violence that occurs, at times, in the book. The violence is not present by happenstance because it is necessary to move the plot of the story forward. For example, in the book, Ronan and the police are trying to manage a crime wave and increased drug activity that is plaguing Charleston, West Virginia.  Ronan gets pulled away from that work when the body of a mutual acquaintance, Sarah Gilmore, is found butchered in the back of a burning car. The investigation takes him deep into the personal and professional life of the victim. Ronan discovers some secrets in Sarah’s past and also discovers a tangled web of personal and professional relationship contacts. Ronan has to determine if those conflicts lead to her death or was it something larger, and Ronan gets some answers, and puts himself and his family into harms way. As I got into the story and got to know my characters on a deeper level, I realized that the only way Ronan McCullough was going to survive was to become more ruthless than his adversaries.

The work that Ronan does is dangerous work and the physical and emotional toll it takes on him in this book (like in the last book) is tremendous. Those feelings impact Ronan’s relationship with Ty and Nick (his nephew), who Ronan loves more than anything, but struggles to keep them away from his work and keep them safe as the story unfolds. Ronan and Ty have to hide their relationship so that Ronan is not ostracized as a member of the police department and that serves as another layer of conflict. There is a more dangerous, more deadly set of criminals that have moved into Charleston now as a result of what happened in Fragile Brilliance and as they ratchet up their lethal behavior, Ronan has to lift himself up to match the challenge. Ronan finds himself in this book having to fight “eye for an eye” in several moments in order to get the information and help he needs.

The scariest part of my book centers on the premise of the plot. A Knife’s Edge is a sequel to an earlier novel, Fragile Brilliance. One of the subplots in Fragile Brilliance involved Ty (Ronan’s boyfriend and an emergency room nurse) leading a fundraising team at Charleston Mercy Hospital. The hospital was trying to raise money for a new children’s cancer center. In this book, the money has been raised and the new wing has been built onto the back of the hospital. The hospital was able to complete the fundraising thanks to a donation from a new blood diagnostics company called BTech, who was promised a floor of lab space in the new hospital as a “thank you” for the donation. Also, due to a severe state budget crisis, the state of West Virginia no longer operates the state police crime lab in South Charleston, and instead has outsourced their blood analysis work for police investigations to BTech. I was at a bookstore a few years ago and I picked up a copy of Time Magazine. On the front cover was a woman named Elizabeth Holmes, whom the magazine had named as the most influential woman in the country. She founded a company called Theranos which created technology and equipment that could diagnose diseases, infections, illnesses, etc. in patients with just a drop of blood from the end of a finger. The idea was that hospitals and crime labs wouldn’t need all of this expensive equipment that has to be purchased and maintained. Instead, Theranos developed two machines that could do all the blood analysis work. Unfortunately, the company ended up being a fraud, but when I read the story, I started thinking, “What would happen if that type of technology made it into the wrong hands?” That’s when I decided to include it in my plot.

An emotionally “scary” part of the book for me as the writer was writing a sequel to a novel. This is the first time I have ever written a sequel. I think the scariest challenge when writing a sequel, for me, comes with characters. In the second book, you (as the writer) want to make sure that the characters remain true to themselves, but at the same time, you want them to grow and develop as the book progresses. That was a real challenge for me. However, it was so much fun spending time with all of these characters again.

A Knife’s Edge: Amazon

Eliot Parker: Website / Facebook / Twitter / Instagram

Eliot Parker is the author of four thriller novels. His third novel, Code for Murder, was a finalist for Best Thriller Novel by American Book Fest in 2018. Eliot is a graduate of the Bluegrass Writers Studio at Eastern Kentucky University with an M.F.A. in Creative Writing. A recipient of the West Virginia Literary Merit Award and also a finalist for the Southern Book Prize in Thriller Writing, Eliot teaches writing and literature at Mountwest Community and Technical College.

A Night of Dark Fiction

Join multiple award-nominated and critically acclaimed New York City authors Karen Heuler, John C. Foster, and Nicholas Kaufmann for a night of thrills, chills, and astonishment!

Come for the amazing stories, stay for the glamorous prizes*! What better way to spend a winter’s night?

Thursday, January 17th
7 PM – 9 PM

Otto’s Shrunken Head – 584 East 14th Street, between Ave A and Ave B

Karen Heuler is the author of The Inner City, In Search of Lost TimeOther Places, and others.

John C. Foster is the author of Mister WhiteNight RoadsThe Isle, and others.

Nicholas Kaufmann is the author of Dying Is My Business, In the Shadow of the Axe100 Fathoms Below, and others.

Feel free to RSVP at the Facebook event page if you like. Hope to see you there!

* Prizes may not be glamorous.

New Class in January

My LitReactor class on writing fast-paced novels, Runaway Prose, is starting up again on January 24th! Enrollment tops out at 16 students, so be sure to sign up today! Click below for more info:

Want to keep readers speeding through your novel? It’s all about pace. In this four-week workshop, multiple award-nominated author Nicholas Kaufmann will show you how to keep readers engaged.

Doctor Who: “The Witchfinders”

***MILD SPOILERS AHEAD***

“The Witchfinders” is a fun episode, but for a story dealing with such heavy themes — paranoia, scapegoating, the senseless murder of villagers accused of being witches, the way women were generally belittled, disregarded, and mistreated in 17th century England — it felt curiously lightweight. If this were a season with more of an arc, “The Witchfinders” would be a filler episode, a placeholder between episodes more important to the overall story. But that sounds harsher than I intended. It’s not a bad episode by any stretch, it just doesn’t go deep, and as a result it’s kind of forgettable.

One thing that is not forgettable about the episode is Alan Cumming as King James I. He’s hilarious through most of it, but also brings his acting chops to the quieter moments when he needs to. There have been a lot of well known actors doing character work on Doctor Who, in the classic series as well as the revival, but Cumming stands out as one of the best. He looks like he’s having a great time, and that feeling is contagious.

It was nice to see Siobhan Finneran again, too. She was great as Miss O’Brien on Downton Abbey, and when she left that show her absence was definitely felt. The episode’s zombie women were appropriately scary, but unfortunately, this being Doctor Who, they turned out to be possessed by disembodied aliens instead of being actual undead revenants out for revenge, which would have been so much cooler. But there’s always a scientific explanation in this show, so aliens it is. Interestingly, this is the third “aliens in history” episode of the season, which is an unusual number for Doctor Who. Normally, we only get one historical per season, maybe two. If this is going to be a theme of Chris Chibnall’s era, I hope he will find a way not to make it too repetitious.

I thought there was a missed comedic opportunity to have the Doctor forget she’s female now and wonder why King James refuses to believe she’s the Witchfinder General, before she remembers. We do get a funny line later about how people used to listen to her more when she was male, though.

So, all in all, “The Witchfinders” is a good if not entirely memorable episode. There isn’t any further character development for the companions or the Doctor in this one, and once again Ryan’s dyspraxia seems to have disappeared. Graham gets to wear a funny hat, though, so at least there’s that!

And now for some Doctor Who neepery! The Doctor has met actual witches before. In the 1971 Third Doctor serial “The Daemons,” the Master leads a coven of witches in Devil’s End in his effort to summon Azal, an alien who looks like the Devil. In the same serial, Olive Hawthorne, a resident of Devil’s End trying to stop the Master, claims to be a “white witch” (as did the actress who played her, Damaris Hayman). Although the Doctor himself wasn’t involved, the one-and-done 1981 spinoff K9 and Company saw Sarah Jane Smith and K9 Mark III face a coven of witches determined to perform a human sacrifice in the name of the goddess Hecate. And of course in the 2007 Tenth Doctor episode “The Shakespeare Code,” the Carrionites, led by Lilith, took the form of very Macbeth-like witches.

For all the talk about Satan in “The Witchfinders,” the Doctor has met several aliens who are supposed to either have created the myth of the Devil or who were mistaken for the Devil. Among them are the aforementioned Azal from “The Daemons”; Sutekh in the 1975 Fourth Doctor serial “Pyramids of Mars,” whose name the Doctor says is “abominated in every civilized world, whether that name be Set, Satan, Sodos…”; the Malus in the 1984 Fifth Doctor serial “The Awakening,” an alien war machine lying dormant beneath a church whose walls feature its image as a representation of the Devil; and the 2006 Tenth Doctor episode “The Satan Pit,” in which the giant horned entity known as the Beast claims he is Satan, as well as other, less terrestrial religious figures. (I’m tempted to include Abaddon from the 2007 Torchwood episode “End of Days” too, but although he looks very Devil-like, he is never referenced that way.)

Lastly, the Doctor met another disembodied alien lifeform that possesses the bodies of the dead in the 2005 Ninth Doctor episode “The Unquiet Dead.” In that story, the Geith take control of corpses for their new bodies, which inspires Charles Dickens to finish writing The Mystery of Edwin Drood, although sadly he doesn’t live to complete the novel.

Next episode, the Doctor finds a cabin in the woods, and that’s never a good thing!

 

Archives

Search