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The Warlord: The Savage Empire

The Warlord: The Savage EmpireThe Warlord: The Savage Empire by Mike Grell
My rating: 4 of 5 stars

I had an itch to re-read the old WARLORD comics I enjoyed as a child and managed to find this volume on eBay, collecting the first 12 issues of author and artist Mike Grell’s sword and sorcery classic. It’s as fun as I remember, filled with monsters, swashbuckling action, and humor, although being older now it’s easy to see how dated it is. It’s full of cheesy 1970s one-liners (young readers today aren’t going to get the Joe Namath joke in the first issue, for instance) and even cheesier 1970s ideas of gender representation: the men of Skartaris wear loincloths, vests, armor, helmets, and sometimes capes, while the women wear…strategically placed straps of cloth. Still, if you’re in the mood for a fun, fast-moving sword and sorcery comic, THE WARLORD is just what the doctor ordered.

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COME JOIN US BY THE FIRE Gets Further Distribution

I’m thrilled to announce that after an exclusive period on Google Play, where it garnered more than 100,000 downloads, Nightfire’s inaugural audiobook horror anthology, Come Join Us By the Fire, which includes my original story “Spawning Season,” is now available for free on other platforms, including Spotify, Apple, Kobo, and Libro.fm!

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Doctor Who: “Can You Hear Me?”

***MAJOR SPOILERS AHEAD***

I was surprised by how much I liked this episode! I really, really liked it! It takes the time to explore the companions as characters, which is something the show has desperately needed for a season and a half, while also delivering a thrilling, scary adventure. It’s also very sneaky! Much like “Fugitive of the Judoon,” this episode starts out apparently being one thing — monsters attack a hospital in 1380 Aleppo — and quickly pivots to become something much more interesting. And, in my opinion, much more frightening.

Not that the creatures attacking the hospital aren’t scary, but the episode’s real threat, Zellin, is nightmare fuel (and brilliantly played by Ian Gelder). The way his fingers detach from his hand and fly out to bury themselves in his victim’s ears in order to harvest their nightmares is creepy in the extreme. As for the companions, I enjoyed getting glimpses into their lives on Earth as well as their deepest fears: Graham’s concern that his cancer will come back (and that his wife Grace blames him for not being able to save her); Ryan’s worry that one day he’ll return home and his friends will have moved on without him; and Yaz’s…um, something to do with running away and no one caring, I think? Her fear was less clear to me than the others. We also get a reminder about the Timeless Child in the Doctor’s nightmare, which makes a hell of a lot more sense as something that would frighten the Doctor than the manifestation of the Doctor’s fear behind the door in the 2011 Eleventh Doctor episode “The God Complex,” which turned out to be…the crack in time. Yawnsville. Should have been the War Doctor sitting in that room, but whatever, it’s been nine years, I’m over it. Mostly.

Zellin’s trap of getting the Doctor to free his partner Rakaya is well executed and surprised me. I loved that the two of them are Immortals, cosmic beings whose lifetime spans eternity, and who look down on the Doctor as something tiny and insignificant. (I’m reminded of a wonderful moment in the 1983 Fifth Doctor serial “Enlightenment,” in which an Eternal discovers the Doctor is a Time Lord and says with some amusement, “A lord of time? Are there lords in such a small domain?”) It’s true that the manner by which the Doctor triumphs over these all-powerful Immortals is a extremely hand-wavey, but for better or worse I’m used to that from Doctor Who.

I thought Tahira was a good character — charismatic, strong, and able to adapt to her surroundings. (Actress Aruhan Galieva did a great job.) She would fit right in as a regular character, and indeed her presence reminded me how desperate I am for Doctor Who to feature a companion from another time period (or planet), rather than always being from contemporary Earth.

Quibbles? I have a few. I was worried Graham was going to leave the TARDIS when he has his heart to heart(s) with the Doctor about his fear of the cancer coming back. Instead, the scene ends with a joke about the Doctor being too socially awkward to have this conversation, which is disappointing. I’m glad he’s staying — I love Graham — but I think a deeper conversation in that moment would have really cemented the relationship between Doctor and Companion in a way that hasn’t really happened for any of the current cast. (There were some hints that Ryan might leave. I don’t feel as much of a connection to him, so if he did go I don’t think I’d miss him all that much.) I liked the ending a lot. Unfortunately, it was immediately followed by three more endings. All those extra endings actually contain good character work, especially with Yaz going to see the police officer who inspired her when she was younger, but I think those moments might have worked better had they been weaved more skillfully into the narrative rather than tacked on at the end. It reminded me of the movie The Return of the King, where I kept thinking the story was over but there were twenty more minutes of endings to sit through. But these are just quibbles. I really did like the episode!

And now for some Doctor Who neepery! Ian Gelder, who plays Zellin, previously appeared as Dekker in Torchwood: Children of Earth, and also provided the voice of the Remnants in last season’s “The Ghost Monument” which is when we first heard about the Timeless Child. Ryan sees the Dregs from this season’s earlier episode “Orphan 55” in one of his nightmares. The episode bears a slight resemblance to the disastrous 2012 Eleventh Doctor episode “The Power of Three” (also written by Chris Chibnall), in which the Doctor is at first reluctant to believe the villain is a Shakri because they are “myths in Time Lord history,” an almost identical reaction to the Thirteenth Doctor learning her foe’s name is Zellin. And that’s it for the neepery!

No, I’m just kidding! There is a major moment in the episode when Zellin references, all in the same speech, the Eternals, the Guardians, and the Toymaker! The Eternals are elemental beings of enormous power but zero imagination, who are forced to use other sentient life forms, like humans, for their emotions and creativity. They only appeared on Doctor Who once, in the aforementioned Fifth Doctor serial “Enlightenment,” having stolen various ships and their crews from Earth to have a boat race through space. The Guardians are the closest thing the Doctor Who universe has to a theology. Basically, the White Guardian represents all things good and the Black Guardian represents all things bad — God and the Devil, if you will. Like the Eternals and the Immortals, they pre-date the known universe. The Guardians first appeared in the 1978 Fourth Doctor serial “The Ribos Operation,” in which the White Guardian tasks the Doctor to find the hidden segments of the Key to Time with a warning that the Black Guardian will try to stop him and take the Key for himself. Later, during the Fifth Doctor’s era, the Black Guardian manipulates companion Turlough into trying to kill the Doctor. It doesn’t work out. The Toymaker is a reference to the 1966 First Doctor serial “The Celestial Toymaker,” in which a powerful cosmic being traps the Doctor and his companions in his domain and forces them to play games for their survival. There are lots of theories about what the Toymaker is — an Eternal, a lesser Guardian — but after “Can You Hear Me?” I’m tempted to say the Toymaker is an Immortal like Zellin and Rakaya. (By the way, the Toymaker was played by Michael Gough, best known as Alfred in the 1980s-90s Batman movie series, but he also appeared on Doctor Who again as Hedin, a Time Lord, in the 1983 Fifth Doctor serial “Arc of Infinity.” Even more interesting, Gough was married to Anneke Willis, who played companion Polly Wright in the last season of the First Doctor’s tenure and the first season of the Second’s.)

I’m really enjoying how Doctor Who is embracing the show’s long history and mythology this season. I definitely felt its absence last season. Next up, a visit with Mary Shelley at the famed Villa Diodati!

Doctor Who: “Praxeus”

***SPOILERS AHEAD***

I don’t have much to say about this one. “Praxeus” is a filler episode with a serviceable Doctor Who story: mysterious deaths on modern day Earth are traced to an alien virus that the Doctor must identify and cure. (Well, it’s the TARDIS that actually comes up with the cure, of course, because the TARDIS is a magical machine that can do anything, even synthesize cures off-screen). The problem, though, is that I’m so invested in this season’s main plot line that I can’t connect with a filler episode like this one. Where is Doctor Ruth? What did the Master discover that caused him to attack the Time Lords? What is the Timeless Child? When is the Master coming back? When is Captain Jack Harkness coming back? Hell, when is Doctor Ruth coming back? We’re in the back half of the season now and I don’t want any more filler.

But that’s not how a Doctor Who season is structured, unfortunately. We’re going to have to wait until the two-part season finale for any answers, and until then it’s likely to be all standalone episodes. So, taking “Praxeus” on its own merits, what did I think? I thought it was kind of meh. Okay but not great, in the same way that “Nikola Tesla’s Night of Terrors” was okay but not great. Serviceable really is the word here.

Things I liked about it: Co-writers Peter McTighe and Chris Chibnall split up the companions at the start of the episode, sending them to various parts of the world, and I thought that worked really, really well. As I seem to mention a lot, it’s hard to find something interesting for all three of them to do, so when the show manages to it’s worth pointing out. I very much liked Yaz striking out on her own to discover more information and being courageous enough to follow the alien henchman through the teleportation device to his own turf. I thought Yaz and Gabriela made a good team, too. I wouldn’t mind seeing Gabriela on the show again. The mystery is creepy and interesting, and those infected by the alien virus come to a suitably gruesome, science-fictional end. There’s a nice reversal of the usual Doctor Who trope of the big emotional moment when one character sacrifices their life for the rest of them. Also, abandoned hospitals are great, creepy settings, and I think the bulk of the episode should have taken place in that abandoned hospital in Peru where they find Jamila’s body.

Things I didn’t like: The revelation that Suki Cheng is the alien who brought the virus to Earth. It didn’t make sense to me. How did she get that job at the lab in Madagascar? How long has she been working there? Her partner at the lab, Zach, seems to have known her for a long time, as if they’ve worked together for years, but the virus appears to have only just begun to spread, which means the crash couldn’t have been that long ago. There’s another environmental lecture from the Doctor, although this one is nowhere near as bad (or as long) as the one in “Orphan 55.” This time it’s about how we’re gunking up our planet with too much plastic, which, coincidentally, is what the alien virus feeds on. The reason it makes me groan is not that I’m some kind of anti-environmentalist but because it’s just sloppy writing. You have to trust your audience to get the message. You don’t need Rick Deckard to say, “Oh my God, maybe I’m the bad guy here,” at the end of Blade Runner, you need to lead him and the audience to that conclusion through the action on screen.

There’s not much in the way of Doctor Who neepery in “Praxeus,” either. When the Doctor is trying to figure out the connection between plastic and the infected birds she name-checks the Autons as a possible cause before discarding the idea. The Autons are plastic robots controlled by the Nestene Consciousness, which has power over all forms of plastic, and they date back all the way to the Third Doctor’s very first serial, “Spearhead from Space,” in 1970. Their last appearance on the show was in the Eleventh Doctor episode “The Big Bang” in 2010, which saw companion Rory briefly turned into an Auton through a turn of events we can only call timey-wimey.

 

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